Many of you will already know Alex Beattie from his wonderful Creation series of panels in our last
catalogue. They were a remarkable achievement and showed what imagination Alex has as well
as great technical skill.
“My art background is in illustration and tapestry design was something completely new to me.
However, as soon as I saw some of the Ehrman designs, I pleaded with Hugh to let me have a
crack at doing one. And I’ve never looked back.
What I love most about both designing and stitching is the fact that you’re working with
pure colour. There’s no mixing or preparation – it’s bright, jewel-like wools sewn straight on to the
canvas. There’s also something wonderful about the simplicity of it. You take a handful of colours
and a grid of (say) 150 by 150 stitches, and from that you create a whole story. In many ways
it’s the limitations themselves which make the end product so elegant. Needlepoint as haiku.
|St Marks in Venice
|Tree at Dawn
In terms of the inspiration for my designs, the art
style I’ve looked to most is mosaic. Especially the
Byzantine-inspired mosaics in Italy, like this one in
Venice. I’m amazed at how they’ve taken an art
form that’s so intensive and painstaking and used
it to create these magnificent, flowing scenes. And,
just like tapestry, it’s all pure colour, with each
tessera a single piece of glass that’s as bright now
as the day it was set.
I also love just wandering aimlessly through
museums like the British Museum and the V & A,
just waiting for something to jump out through the
centuries. They’re such incredible treasure houses:
I still get taken aback how you can saunter from
Assyrians to Ostrogoths to Mediaeval panel painting
in the space of minutes.”
This broad range of interest is reflected in Alex Beattie's kits
and like all our best designers he is not restricted
to a particular period or style.